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For over four decades, through performance, photography, installations, artificial intelligence agents, web presences and cinema, Lynn Hershman's work has explored what it is to live in a world of mediated, monitored, and manipulated identities. Corporeal and virtual presences become simulated entities that in turn reveal personal identity and its impact on cultural construction.
Often Hershman's narratives retrieve formerly lost histories that are excavated through technological manipulation. The process brings to the surface the moral consequences of an unpredictable system of covert meanings. All of her work explores encryption of privacy in an era of surveillance as well as personal and societal identity in a time of pervasive yet covert manipulation. Many of the narratives focus on the revitalization and restoration of personal empowerment.
The selected works in this collection focus on broad issues of identity and culture, particularly the technological projections that impact individuals and society.
Further Information:
2 disc set
| Catalog Number: MC-1091 |
Type: Shorts Compilation |
Genre: Art / Artist |
| Copyright: 2011 |
Length: 296 minutes |
Format:
DVD Region: 0 |
| TV System: NTSC |
ISBN: |
UPC/EAN: 880198109194 |
| Label: Hotwire |
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This is a Microcinema Exclusive title.
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Films In Compilation
Virtual Love directed by
Lynn
Hershman Leeson
USA,
Sci-fi / Fantasy,
1993,
01:15:00
A love story for the 90's: Valery falls in love with an identical twin, a virtual reality scientist, and finds she can have a more intimate relationship with him through the computer screen than in person -- or is it really him? Commissioned by ZDF German Television, this features several Virtual Reality experts such as Jaron Lanier and Arthur and Marilouise Kroker.
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Seeing is Believing directed by
Lynn
Hershman Leeson
USA,
Drama,
1989,
00:58:00
Film becomes a metaphor for lost history and its “negative “impact on successive generations who looking for stability in an electronic world that lacks sufficient mediation. Video retrieves lost memories for the child who, through her camera, seeks to find her father. First Prize at the video festival, Vigo Spain. Collection, Museum of Modern Art, New York
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Longshot directed by
Lynn
Hershman Leeson
USA,
Drama,
1989,
01:02:00
Fact and fiction cross dress in this faux documentary about a lost woman, Lian, who is searching for her own identity. Lian is manipulated by Dennis, a video editor. He captures surveillance footage of her and manipulates it in an attempt to manipulate and then possess her real life .GRAND PRIZE WINNER, Montbelliard Festival for Television and Video, Prize Publique, Montreal Festival.
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Desire Inc. directed by
Lynn
Hershman Leeson
USA,
Experimental,
1990,
00:26:00
Four "seduction ads" placed on cable TV stations invite unexpected responses. This tape is about fantasy and desire in a mediated world. First Prize Montbelliard, France.
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Electronic Diaries, The directed by
Lynn
Hershman Leeson
USA,
Drama,
1984,
01:15:00
A woman's personal life unfolds over twelve years in a video diary that simultaneously parallels and reflects global history. Personal fears and obsession dissolve into a story of triumph and empowerment. as the protagonist eventually finds her voice. First Prize, Locarno and Lucerne Festivals.
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2011-11-01 Educational Media Reviews Online By Kim Stanton
Recommended.
Seducing Time is a collection of video works by the pioneering multimedia artist Lynn Hershman Lesson. Hershman spent most of the 60’s and 70’s working primarily in performance and installation art and photographic series. By the late 70’s, advances in new media technology provided the tools and themes Hershman would employ to create the film and multimedia works for which she is best known. This collection primarily looks at Hershman’s videotape work from the early 1990s.
Each of the six videos presented deals with identity and the impact technology has on the gray area between fact and fiction (referred to as “faction” in The Electronic Diaries). In these works, the camera is both a tool to record the piece and a pivotal player in the story. This collection, which covers select videotapes created between 1984 and 2008, includes works that build and reflect on each other. Many of the element and themes found in Longshot (‘89) and Desire, Inc (‘90) seem to culminate in Virtual Love (‘93). As a whole, the collection shows the conceptual refinement of Hershman’s ideas on virtual realities, voyeurism and the existence of truth within a world of simulations.
Seducing Time is highly recommended for art and film programs that cover New Media Arts. The ideas presented in this collection are also appropriate for the areas of philosophy and women’s studies.
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Conceiving Ada
MC-1093, 1997
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In this award-winning film which was the first to use “virtual sets,” Academy-Award ® winner Tilda Swinton embodies Lady Ada Lovelace, daughter of Romantic poet Lord Byron, and the mathematics genius who developed what became the world's first... more >
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Teknolust by Lynn Hershman Leeson
MC-1092, 2003
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Academy-Award ® winner Tilda Swinton plays four roles in this award-winning Sci-Fi about Rosetta Stone and her three Self-Replicating Automatons, (S.R.A.'s) which she cloned from her own DNA. Though they look human, the S.R.A. cyborgs were bred as... more >
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