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Future by Design is a documentary film by Academy Award nominated filmmaker William Gazecki, sharing the life and far-reaching vision of Jacque Fresco, a modern day Da Vinci. Peer to Einstein and Buckminster Fuller, Jacque is a self-taught futurist who describes himself most often as a “generalist” or multi-disciplinarian -- a student of many inter-related fields. He is a prolific inventor, having spent his entire life (he is now 90 years old) conceiving of and devising inventions on various scales which entail the use of innovative technology.
The film explores Fresco’s world of the future, where scientific method, not politics, rules world operations, and all human activities and efforts are directed towards achieving dynamic equilibrium between man and nature.
Future by Design is a visually and intellectually engaging exploration of one man’s vision of a future where war is outdated, there is no shortage of any necessary resource, and our focus as a species is sustainability. But far from presenting a vision of Utopia, this documentary demonstrates a “possible future” -- with real and viable alternatives to our current paradigm of militarism and commercialism.
Jacque Fresco is an outspoken and immediately likable character who’s radical and sometimes irreverent ideas are sure to draw both praise and controversy.
| Catalog Number: MC-813 |
Type: Feature |
Genre: Architecture |
| Copyright: 2006 |
Length: 90 minutes |
Format:
DVD Region: 1 |
| TV System: NTSC |
ISBN: 1-4276-0841-5 |
UPC: 9781427608413 |
| Label: Lantern Lane Entertainment |
This title is available in Europe for Wholesale - List Prices: £16.99 / 24.95€
This is a microcinema exclusive title.
Wholesale Purchasing:
Program MC-813 is available for wholesale from Microcinema DVD. Contact info[at]microcinema.com or call at +1-415-447-9750
Exhibition:
Program MC-813 may be licensed for Exhibition.
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Architects Herzog and DeMeuron: Alchemy of Building & Tate Modern
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The Swiss architects Jacques Herzog and Pierre de Meuron (architects of the Beijing National Stadium, or "Bird's Nest") were jointly awarded the 2001 Pritzker Prize, their profession’s highest honour, for combining “the artistry of an age-old profession with the fresh approach of a new century’s technical capabilities”. Over the past twenty years they have been involved in finding inventive architectural solutions to building a diverse range of projects – domestic, municipal and commercial – from a modest switching station for trains to a strikingly innovative approach to the design of a winery. Their highest profile commission to date was the conversion of London’s giant Bankside power station into Tate Modern, acclaimed by their peers, the media and the public alike.
Visiting examples of Herzog and de Meuron’s ground-breaking style, this film reflects their capacity to astonish and explore the way in which they transform what might otherwise be ordinary shapes, materials and surfaces through new treatments and techniques. Their perspective on and approach to architecture; their design dialogue; the way their strengths and weaknesses complement each other; and their collaborations with others, particularly artists, will all be brought into focus to give a fascinating insight into the cutting edge of architecture today.
The Tate Modern was opened to the public in London on May 12th 2000. The new building is part of the Tate Gallery, the largest contemporary art museum in the world.
Sir Nicholas Serota, director of the Tate Gallery, recalls his idea of turning the power station, which was built in various stages by Sir Gilbert Scott between 1948 and 1963, into the Tate Modern.
The conversion of the disused power station, as designed by the Swiss architects Herzog & de Meuron, was applauded by professionals and art lovers alike. Starting from an electric power station running on gas oil they have created an architectural masterpiece whose fame will be recognized well beyond London.
Thanks to the contribution of Jacques Herzog and Harry Gugger, partners in the Herzog & de Meuron practice, the documentary retraces some fascinating insights into the architecture of the Tate Modern. Following this line of thinking one is bound to notice how significant even an apparently unimportant detail can be for the work as a whole.
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